About this book
Publication Details
- Publisher
- Riverhead Books
- Published
- 2020
- Pages
- 498
- ISBN
- 9780525540670
- Language
- en
About Liz Moore
**Liz Moore is a writer of fiction and creative nonfiction.** Her first novel, *The Words of Every Song* (Broadway Books, 2007), centers on a fictional record company in New York City just after the turn of the millennium. It draws partly on Liz's own experiences as a musician. It was selected for Borders' Original Voices program and was given a starred review by *Kirkus*. Roddy Doyle wrote of it, "This is a remarkable novel, elegant, wise, and beautifully constructed. I loved the book." After the publication of her debut novel, Liz obtained her MFA in Fiction from Hunter College. In 2009, she was awarded the University of Pennsylvania's ArtsEdge residency and moved to Philadelphia. Her second novel, *Heft*, was published by W.W. Norton in January 2012 to popular and critical acclaim. Of *Heft, The New Yorker* wrote, "Moore's characters are lovingly drawn...a truly original voice"; The San Francisco Chronicle wrote, "Few novelists of recent memory have put our bleak isolation into words as clearly as Liz Moore does in her new novel"; and editor Sara Nelson wrote in O, The Oprah Magazine, "Beautiful...Stunningly sad and heroically hopeful." The novel was published in five countries, was long-listed for the International IMPAC Dublin Literary Award, and was included on several "Best of 2012" lists, including those of NPR and the Apple iBookstore. Moore's short fiction and creative nonfiction have appeared in venues such as Tin House, The New York Times, and Narrative Magazine. She is the winner of the Medici Book Club Prize and Philadelphia's Athenaeum Literary Award. After winning a 2014 Rome Prize in Literature, she spent 2014-15 at the American Academy in Rome, completing her third novel. That novel, The Unseen World, was published by W.W. Norton in July of 2016. Louisa Hall called it "fiercely intelligent" in her review in The New York Times; Susan Coll called it "enthralling . . . ethereal and elegant . . . a rich and convincing period piece” in her
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