Long Bright River

Name: Long Bright River
Rating: 4.0131578947368425 (114 reviews)
Author: Liz Moore
ISBN: 9780525540670

by Liz Moore

4.0

(114 ratings)

482 pages2020Riverhead BooksISBN 9780525540670

Fiction Mystery Thriller

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About this book

ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR NAMED A BEST BOOK OF THE YEAR BY NPR, PARADE, REAL SIMPLE, and BUZZFEED AN INSTANT NEW YORK TIMES BESTSELLER A GOOD MORNING AMERICA BOOK CLUB PICK [Moore's] careful balance of the hard-bitten with the heartfelt is what elevates Long Bright River from entertaining page-turner to a book that makes you want to call someone you love." - The New York Times Book Review This is police procedural and a thriller par excellence, one in which the city of Philadelphia itself is a character (think Boston and Mystic River). But it's also a literary tale narrated by a strong woman with a richly drawn personal life - powerful and genre-defying." - People A thoughtful, powerful novel by a writer who displays enormous compassion for her characters. Long Bright River is an outstanding crime novel... I absolutely loved it. --Paula Hawkins, #1 New York Times-bestselling author of The Girl on the Train Two sisters travel the same streets, though their lives couldn't be more different. Then one of them goes missing. In a Philadelphia neighborhood rocked by the opioid crisis, two once-inseparable sisters find themselves at odds. One, Kacey, lives on the streets in the vise of addiction. The other, Mickey, walks those same blocks on her police beat. They don't speak anymore, but Mickey never stops worrying about her sibling. Then Kacey disappears, suddenly, at the same time that a mysterious string of murders begins in Mickey's district, and Mickey becomes dangerously obsessed with finding the culprit--and her sister--before it's too late. Alternating its present-day mystery with the story of the sisters' childhood and adolescence, Long Bright River is at once heart-pounding and heart-wrenching: a gripping suspense novel that is also a moving story of sisters, addiction, and the formidable ties that persist between place, family, and fate.

Publication Details

Publisher: Riverhead Books
Published: 2020
Pages: 482
ISBN: 9780525540670
Language: en

About Liz Moore

**Liz Moore is a writer of fiction and creative nonfiction.** Her first novel, *The Words of Every Song* (Broadway Books, 2007), centers on a fictional record company in New York City just after the turn of the millennium. It draws partly on Liz's own experiences as a musician. It was selected for Borders' Original Voices program and was given a starred review by *Kirkus*. Roddy Doyle wrote of it, "This is a remarkable novel, elegant, wise, and beautifully constructed. I loved the book." After the publication of her debut novel, Liz obtained her MFA in Fiction from Hunter College. In 2009, she was awarded the University of Pennsylvania's ArtsEdge residency and moved to Philadelphia. Her second novel, *Heft*, was published by W.W. Norton in January 2012 to popular and critical acclaim. Of *Heft, The New Yorker* wrote, "Moore's characters are lovingly drawn...a truly original voice"; The San Francisco Chronicle wrote, "Few novelists of recent memory have put our bleak isolation into words as clearly as Liz Moore does in her new novel"; and editor Sara Nelson wrote in O, The Oprah Magazine, "Beautiful...Stunningly sad and heroically hopeful." The novel was published in five countries, was long-listed for the International IMPAC Dublin Literary Award, and was included on several "Best of 2012" lists, including those of NPR and the Apple iBookstore. Moore's short fiction and creative nonfiction have appeared in venues such as Tin House, The New York Times, and Narrative Magazine. She is the winner of the Medici Book Club Prize and Philadelphia's Athenaeum Literary Award. After winning a 2014 Rome Prize in Literature, she spent 2014-15 at the American Academy in Rome, completing her third novel. That novel, The Unseen World, was published by W.W. Norton in July of 2016. Louisa Hall called it "fiercely intelligent" in her review in The New York Times; Susan Coll called it "enthralling . . . ethereal and elegant . . . a rich and convincing period piece” in her