Cover of Josef Albers

Josef Albers

by Unknown Author

200 pages2015Verlag der Buchhandlung Walther KonigISBN 9783863356149

About this book

"Josef Albers (1888-1976) believed firmly in art's spiritual dimension. Among his several aphorisms on the topic, none reflects the humble, ascetic character of his spiritual disposition better than the following: 'Easy to know that diamonds are precious. Good to know that rubies have depth. But more to see that pebbles are miraculous.' Conceived by the renowned Albers expert Nicholas Fox Weber, who directed the Albers Foundation for 20 years and knew the artist well, Spirituality and Rigor presents a selection of work by Albers that illustrates his ascetic spirituality and his deeply felt Catholicism. The book stems in part from Fox Weber's The Sacred Modernist: Josef Albers as a Catholic Artist, and is augmented with additional work by Fabio De Chirico. It includes Albers' early drawings of country churches and cathedrals; 'Rosa Mystica,' his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series."--Amazon.com.

Publication Details

Publisher
Verlag der Buchhandlung Walther Konig
Published
2015
Pages
200
ISBN
9783863356149

About Unknown Author

German artist and designer; prof. at the Bauhaus. Albers trained as an art teacher at Königliche Kunstgewerbschule in nearby Essen, Germany. In 1919 he went to Munich, Germany, to study at the Königliche Bayerische Akademie der Bildenden Kunst, where he was a pupil of Max Doerner and Frank Stuck. In 1920 he attended the preliminary course (Vorkurs) at the Bauhaus in Weimar, Germany, and was appointed a master in 1923 or 1925. In 1925 Albers moved with the Bauhaus to Dessau, Germany, where he was named master. From 1928 to 1930 he was also in charge of the furniture workshop. In 1932 he moved with the Bauhaus to Berlin. From 1933, after the closure of the Bauhaus in Berlin, until 1949, Albers taught at Black Mountain College in North Carolina. From 1948 to 1950 or from 1950 to 1958, Albers was professor and chairman of the Department of Design at Yale University, New Haven, Connecticut. He remained there as a visiting professor until 1960. After his retirement from Yale University, Albers continued to live in New Haven and to paint, monitor his own exhibitions and publications, write, lecture and work on large commissioned sculptures for architectural settings. *(Source: Union List of Artist Names - Getty Research Institute)*

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