Cover of Making Face, Making Soul Haciendo Caras

Making Face, Making Soul Haciendo Caras

by Unknown Author

3.0
(1 ratings)
448 pages1990Aunt Lute BooksISBN 9781879960114

About this book

Literary Nonfiction. Fiction. Latino/Latina Studies. African American Studies. Asian American Studies. Native American Studies. A bold collection of creative pieces and theoretical essays by women of color. New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcón and Trinh T. Minh-ha. "At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place.... MAKING FACE/MAKING SOUL is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."—Sojourner"...the pieces are stunning in what they risk and reveal..."—The San Francisco Chronicle <small>via Small Press Distribution</small>

Publication Details

Publisher
Aunt Lute Books
Published
1990
Pages
448
ISBN
9781879960114

About Unknown Author

“A woman who writes has power, and a woman with power is feared.” – Gloria Anzaldúa Gloria E. Anzaldúa was a guiding force in defining the contemporary Chicano/Chicana movement and a leader in lesbian and queer theory and identity. Born in southern Texas in 1977 she moved to California where she supported herself through her writing, lectures, and occasionally teaching courses in feminism, Chicano studies, or creative writing. She is perhaps best known for co-editing This Bridge Called My Back: Writings by Radical Women of Color (1981) with Cherri Moraga, a groundbreaking publication not only as a collection by feminists of color, but also for confronting the racism/classism found at the time in feminist thinking. The collection is also noteworthy for fully embracing lesbian voices and concerns and making a clear case that feminism should be inclusionary. Anzaldúa also edited the follow-up volume Making Face: Making Soul/Hacienda Caras: Creative and Critical Perspectives by Women of Color (1990). Voted one of the 100 Best Books of the 20th century by both The Hungry Mind Review and Utne Reader, her semi-autobiographical book, Borderlands/La Frontera: The New Mestiza (1987), explored the borders between countries, languages, genders, the classes, and even within oneself. She also wrote several bi-lingual children’s books and co-edited This Bridge We Call Home: Radical Visions for Transformation (2002). Anzaldúa was adamant about the limiting quality of labels and against all things that separated people. For her, inclusion was essential in the gay movement as well. She was one of the first to champion the “otherness” of the queer movement. The recipient of numerous accolades and awards, she died in 2004 from complications due to diabetes. -credits to legacyprojectchicago.org

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