Cover of Songs of innocence and of experience

Songs of innocence and of experience

by William Blake

3.9
(61 ratings)
56 pages1794Huntington LibraryISBN 9780873282369
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About this book

Songs of Innocence and of Experience are Blake's most familiar poems. A few examples, such as "The Tyger" and "The Chimney Sweeper," frequently appear in anthologies of English literature, in which the poems are often printed without Blake's evocative engravings. But Blake made collections of his Songs, first the Innocencegroup alone in 1789, and then Experience in 1794, combining the two in that year to make up a single volume. This facsimile edition is based on a unique copy in the collection of the Huntington Library that shows how Blake used coloring style and pen and ink additions to make a unified book out of fifty-four individual engravings. Based on new digital photography, this edition also captures the designs and coloring as closely as possible. The plates are followed by a transcription of the poems. Robert N. Essick's commentary includes a brief biography of Blake and interprets each poem in dialogue with the otherSongs. Essick also explores the political and historical contexts of the poems. Newcomers to Blake will find a thorough grounding in his unusual art and language, while experts will encounter fresh discoveries.

Publication Details

Publisher
Huntington Library
Published
1794
Pages
56
ISBN
9780873282369
Language
en

About William Blake

William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry has led one British art journalist to proclaim him "far and away the greatest artist Britain has ever produced".[2] Although he only once journeyed farther than a day's walk outside London during his lifetime,[3] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[4] or "Human existence itself".[5] ([Source][1].) [1]:http://en.wikipedia.org/wiki/William_Blake

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