About this book
Publication Details
- Publisher
- University Press of Kentucky
- Published
- 2021
- Pages
- 184
- ISBN
- 9780813194684
About Unknown Author
Joris-Karl Huysmans is the pen name of 19th century French novelist and art critic Charles-Marie-Georges Huysmans. His early works were in the Naturalist school, and he later wrote Symbolist and Catholic literature, paralleling his own conversion to Roman Catholicism. Huysmans is best remembered for his 1884 Décadent novel À rebours. Joris-Karl Huysmans was born on 5 February 1848 in Paris, the son of a Dutch lithographer and a former school teacher. When Joris-Karl was eight, his father died, and his mother soon after remarried. After earning the baccalauréat, Huysmans held a clerical position in the French Ministry of the Interior for 32 years. He was drafted for the Franco-Prussian War of 1870, but discharged due to dysentery. Huysmans' first published book was a Décadent prose poem collection entitled Le drageoir à épices (1874). It was followed two years later by his first novel, Marthe, histoire d'un fille (Marthe, the Story of a Girl). This novel and those that would follow over the next decade were written in the Naturalist school and praised by Emile Zola. Marthe was about a prostitute, and other themes Huysmans explored in his early works included failed marriage, dead-end jobs, and everyday life in Paris. À rebours, which details the increasingly bizarre entertainments of an effete, reclusive antihero, marked a turning point in Huysmans' career. Zola, among others, condemned the work, which represented a major departure in style for Huysmans. Critics were scandalized at the book's content. However, though the work lost its author some supporters, it gained him a new following among Symbolist and Décadent writers, including Oscar Wilde, Paul Valéry, and Stéphane Mallarmé. Wilde incorporated À rebours into his novel The Picture of Dorian Gray, though he did not mention it by name. A few more Décadent works were to follow À rebours, including En rade in 1887 and Là-Bas in 1891. The latter became notorious for its portrayal of Parisian Satanism a
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