Cover of The Arcades Project

The Arcades Project

by Walter Benjamin

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1073 pages1999Harvard University PressISBN 9780674043268

About this book

<p>"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, <i>The Arcades Project</i> (in German, <i>Das Passagen-Werk</i>) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." </p><p></p><p>Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.</p><p></p><p><i>The Arcades Project</i> is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.</p>

Publication Details

Publisher
Harvard University Press
Published
1999
Pages
1073
ISBN
9780674043268
Language
en

About Walter Benjamin

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist philosopher-sociologist, literary critic, translator and essayist. He was at times associated with the Frankfurt School of critical theory. His Marxism was more influenced by Bertolt Brecht, who had developed his own critical aesthetics, which asked for the emotional distancing of the spectator (Verfremdungseffekt). An important earlier influence and friend was Gershom Scholem, who founded the modern, academic study of the Kabbalah and of Jewish mysticism. Over the last half-century the regard for his work and its influence have risen dramatically, making Benjamin one of the most important twentieth century thinkers about literature and about modern aesthetic experience. Source and more information: https://en.wikipedia.org/wiki/Walter_Benjamin

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