Cover of Knee-Deep in Grit: Two Bloody Years of Grimdark Fiction

Knee-Deep in Grit: Two Bloody Years of Grimdark Fiction

by Adrian Collins, Mike Myers, Mark Lawrence, Adrian Tchaikovsky, R. Scott Bakker, Aliette de Bodard, James A. Moore, Victor Milán, Peter Orullian, Gerri Leen, Kelly Sandoval, Siobhan Gallagher, Tara Calaby, Anatoly Belilovsky, Mike Gelprin, Nick Wisseman, Aaron Fox-Lerner, T.R. Napper, Peter Fugazzotto, Matthew Ward, Mike Brooks, Sean Patrick Hazlett, David Annandale, T.C. Powell, Michael R. Fletcher, Gav Thorpe, Brandon Daubs

380 pages2018ISBN 9780648178439

About this book

Get knee-deep in grit with twenty-six grimdark fantasy and sci-fi short stories from the shadowy vaults of Grimdark Magazine. The top names in dark speculative fiction and the genre's brightest newcomers bring you stories of war, betrayal, violence, and greed, as anti-heroes and adversaries fight to the bittersweet end. For the first time, two years of fiction from Grimdark Magazine are printed on dead trees and bound together like captive slaves to be read or reread and proudly placed among your favourite tomes on your bookshelf. Knee-Deep in Grit features short stories by authors including Mark Lawrence, Aliette de Bodard, Adrian Tchaikovsky, R. Scott Bakker, Kelly Sandoval, James A. Moore, and Victor Milan.

Publication Details

Published
2018
Pages
380
ISBN
9780648178439
Language
en

About Adrian Collins

Mark Lawrence was born in 1966, in the United States. While he was still young, his parents moved to the United Kingdom. Lawrence has a degree in physics and holds a PhD in mathematics. He is married and has four children. Lawrence is the primary carer of his disabled child Celyn, and for this reason he does not travel to promote his books or attend conventions. He works as a novelist and was a research scientist in the field of artificial intelligence. He has held secret level clearance with both US and UK governments. Since 2015, Lawrence operates the annual Self-Published Fantasy Blog-Off, a literary contest intended to bring greater visibility to self-published English-language fantasy authors. Source: Wikipedia

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