About this book
'Oh, be not afraid. I am cast out of society, but you, is it not true, you walk around as a man of honour? What more do you want?' (Laura Kieler, Men of Honour)
Very few readers and audiences know that Ibsen's iconic feminist drama A Doll's House was built upon the real-life story of a woman called Laura Kieler, who was his friend and fellow writer. Her life fell apart when A Doll's House came out and the world saw her deeply private life splashed across its stages. With tremendous determination and perseverance, she managed to recover from the trauma that Ibsen's play caused her, and channelled her pain into a successful play of her own called (pointedly) Men of Honour. The play, performed in Copenhagen in 1890, caused great debate and fierce controversy. Ibsen eventually responded to her play by likewise writing a drama: When We Dead Awaken, his final work.
This new edition traces the conversation between Ibsen and Kieler through these plays, across almost two decades and brings Kieler centre stage, and deepens our understanding of Ibsen's A Doll's House and When We Dead Awaken. These three plays create a fascinating whole: a fusion of vantage points, contexts, and visions still reverberating on and off stage today. Furthermore, the two Ibsen plays speak to each other in startling and fresh ways. This volume also explores 21st century concerns about consent and the many ways in which women in particular are still not heard.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
About Unknown Author
Henrik Ibsen was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the god father" of modern drama and is one of the founders of Modernism in the theatre.[1] His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. Ibsen is often ranked as one of the truly great playwrights in the European tradition, alongside Shakespeare. <cite>— [Wikipedia](https://en.wikipedia.org/wiki/Henrik_Ibsen)</cite>
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