Orlando : (Penguin Classics Deluxe Edition)

Name: Orlando : (Penguin Classics Deluxe Edition)
Author: Unknown Author
ISBN: 9780143138211

by Unknown Author

336 pages2024Penguin Publishing GroupISBN 9780143138211

FictionClassics

About this book

Virginia Woolf’s pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl “A brilliant book that teaches you so much about identity and love—all these fundamental questions that we ask ourselves.” —Emma Corrin “I read this book and believed it was a hallucinogenic, interactive biography of my own life and future.” —Tilda Swinton A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper First masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey—a nobleman, traveler, writer? Man or . . . woman? Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf’s most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf’s own words, a “writer’s holiday” that delights in its ambiguity and capriciousness. This edition is collated from all known proofs, manuscripts, and impressions to reflect the author’s intentions, and includes an introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Publication Details

Publisher: Penguin Publishing Group
Published: 2024
Pages: 336
ISBN: 9780143138211
Language: en

About Unknown Author

Virginia Woolf was an English novelist, essayist, diarist, epistler, publisher, feminist, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century. ([Source][1].) [Comment from Ursula Le Guin on The Guardian][2]: > You can't write science fiction well if you haven't read it, though not all who try to write it know this. But nor can you write it well if you haven't read anything else. Genre is a rich dialect, in which you can say certain things in a particularly satisfying way, but if it gives up connection with the general literary language it becomes a jargon, meaningful only to an ingroup. Useful models may be found quite outside the genre. I learned a lot from reading the ever-subversive Virginia Woolf. > I was 17 when I read [Orlando][3]. It was half-revelation, half-confusion to me at that age, but one thing was clear: that she imagined a society vastly different from our own, an exotic world, and brought it dramatically alive. I'm thinking of the Elizabethan scenes, the winter when the Thames froze over. Reading, I was there, saw the bonfires blazing in the ice, felt the marvellous strangeness of that moment 500 years ago – the authentic thrill of being taken absolutely elsewhere. > How did she do it? By precise, specific descriptive details, not heaped up and not explained: a vivid, telling imagery, highly selected, encouraging the reader's imagination to fill out the picture and see it luminous, complete. > In [Flush][4], Woolf gets inside a dog's mind, that is, a non-human brain, an alien mentality – very science-fictional if you look at it that way. Again what I learned was the power of accurate, vivid, highly selected detail. I imagine Woolf looking down at the dog asleep beside the ratty armchair she wrote in and thinking what are your dreams? and listening . . . sniffing the wind . . . after the rabbit, out on the hills, in the dog's timeless world. > Useful stuff, for those who