Cover of Mrs Dalloway's Party

Mrs Dalloway's Party

by Unknown Author

80 pages2010Penguin Random HouseISBN 9780099541332

About this book

"Mrs Dalloway's Party is a forgotten classic, and an enchanting piece of work by one of our most acclaimed twentieth century writers. A sequence of seven short stories that were written by Woolf in the same period as Mrs Dalloway - the opening story in the collection was originally intended to be the first chapter of the novel - they beautifully showcase the author's fascination with parties and with all the emotions and anxieties which surround these social occasions. In 'The New Dress' a nervous young woman frets that her fellow guests are laughing at her yellow silk dress while 'Together and Apart' explores what happens to two people meeting for the first time in Clarissa Dalloway's drawing room. In this collection of stories Virginia Woolf created a microcosm of society out of the excitement, the fluctuations of mood and temper and the heightened emotions of the party."

Publication Details

Publisher
Penguin Random House
Published
2010
Pages
80
ISBN
9780099541332
Language
en

About Unknown Author

Virginia Woolf was an English novelist, essayist, diarist, epistler, publisher, feminist, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century. ([Source][1].) [Comment from Ursula Le Guin on The Guardian][2]: > You can't write science fiction well if you haven't read it, though not all who try to write it know this. But nor can you write it well if you haven't read anything else. Genre is a rich dialect, in which you can say certain things in a particularly satisfying way, but if it gives up connection with the general literary language it becomes a jargon, meaningful only to an ingroup. Useful models may be found quite outside the genre. I learned a lot from reading the ever-subversive Virginia Woolf. > I was 17 when I read [Orlando][3]. It was half-revelation, half-confusion to me at that age, but one thing was clear: that she imagined a society vastly different from our own, an exotic world, and brought it dramatically alive. I'm thinking of the Elizabethan scenes, the winter when the Thames froze over. Reading, I was there, saw the bonfires blazing in the ice, felt the marvellous strangeness of that moment 500 years ago – the authentic thrill of being taken absolutely elsewhere. > How did she do it? By precise, specific descriptive details, not heaped up and not explained: a vivid, telling imagery, highly selected, encouraging the reader's imagination to fill out the picture and see it luminous, complete. > In [Flush][4], Woolf gets inside a dog's mind, that is, a non-human brain, an alien mentality – very science-fictional if you look at it that way. Again what I learned was the power of accurate, vivid, highly selected detail. I imagine Woolf looking down at the dog asleep beside the ratty armchair she wrote in and thinking what are your dreams? and listening . . . sniffing the wind . . . after the rabbit, out on the hills, in the dog's timeless world. > Useful stuff, for those who

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